Jitish Kallat
by Natasha Ginwala(Editor) with contributions by Hans-Ulrich Obrist, Ranjit Hoskote, Girish Shahane, Suhanya Raffel, Dilip Gaonkar, Jyoti Dhar, Bernardo Kastrup, Shumon Basar

Published by Mapin and Prestel, 2018

Jitish Kallat:

Fieldnotes: tomorrow was here yesterday

Essay by Ranjit Hoskote

Published by Dr. Bhau Daji Lad Museum Trust, Mumbai, 2018

here after here

Jitish Kallat:

Here After Here

1992 – 2017

Exhibition curated by Catherine David

Published by National Gallery of Modern Art, Delhi, 2017

covering letter

Jitish Kallat:
Covering Letter
Published by Philadelphia Museum of Art, Philadelphia, 2016

public notice 2

Jitish Kallat:
Public Notice 2

by Gene and Brian Sherman, Michael Brand, Chaitanya Sambrani, Quddus Mirza, David Elliott, Suhanya Raffel and Jhumpa Lahiri
Published by Sherman Contemporary Art Foundation & the Art Gallery of New South Wales, Sydney, 2015

the infinite episode

Jitish Kallat:
The Infinite Episode

by Chantal Pontbriand and Homi Bhabha
Published by Galerie Daniel Templon, Paris, 2015


Jitish Kallat: Circa
by Natalie King and Bala Starr (eds)
Published by Ian Potter Museum of Art, Melbourne, 2012–13

public notice 3

Jitish Kallat:
Public Notice 3

by Madhuvanti Ghose, Shaheen Merali, Homi K. Bhabha, James Cuno, Geeta Kapur, James Rondeau and Jeremy Strick
Published by Art Institute of Chicago, Chicago, 2011

Jitish Kallat: Public Notice – 2
by Shaheen Merali
Published by Bodhi Art, Singapore, 2008

Jitish Kallat: Aquasaurus
by Laura Murray Cree and Deeksha Nath
Published by Sherman Contemporary Art Foundation, Sydney, 2008

Jitish Kallat:
SkinSide Outside

by June Y. Gwak, Jihyang Park, Kyungmin Do
Published by Arario Gallery, Seoul, 2008

universal recipient

Jitish Kallat:
Universal Recipient

by Peter Nagy
Published by Haunch of Venison, London, 2008

365 lives

Jitish Kallat: 365 Lives
by Deepak Ananth, Huang Du, June Y. Gwak, Yulhee Kim and Dang Dan
Published by Arario Gallery, Beijing, 2007

Jitish Kallat:

by Deepak Ananth
Published by Nature Morte, New Delhi, 2007

unclaimed baggege

Jitish Kallat:
Unclaimed Baggage

by Matt Price and Girish Shahane
Published by Albion Gallery, London, 2007

Jitish Kallat:

First Information Report
by Ranjit Hoskote
Published by Bose Pacia Modern, New York, 2002

Jitish Kallat:

Milk Route
by Jitish Kallat
Published by The Visual Arts Gallery, IHC, New Delhi, 2001

Jitish Kallat:

Published by Gallery Chemould, Mumbai, 2000

Jitish Kallat:

Private Limited 1
by Peter Nagy
Published by Nature Morte, New Delhi, 1999

Jitish Kallat:

Apostrophe ©
by Jitish Kallat
Published by Gallery Chemould, Mumbai, 1998

Jitish Kallat:

by Ranjit Hoskote
Published by Gallery Chemould and Prithvi Gallery, Mumbai, 1997

Robin Reisenfeld and Eleanor Heartney, ‘Life is a Highway: Art and American Car Culture’, pp.92, Fig. 14, 2019


Julian Verlaine, ed., Daniel Templon: A History of Contemporary Art, Paris: Flammarion, 2016, pp. 330, 336, 351, 362,
366, 383, 387.


Admir Jahic and Comenius Roethlisberger, ed., Artists’ Recipes: Contemporary Artists and Their Favourite Recipes,
Basel: Bolo Publishing, 2016, pp. 96–99.


Art Asia Pacific, Almanac, 2015, pp. 18, 122, 209, 222.


Koi Okamoto, Ayana Watanabe, Mayuka Kato, Rei Maeda, Nao Eguchi, eds., Naka–Boso International Art Festival Ichihara Art x Mix 2014, Naka–Boso International Art Festival Ichihara Art x Mix Executive Committee, 2014,
pp. 63 and 116.


Gavin Jantjes and Marianne Yvenes, eds., An Appetite for Painting 2000–2014, Oslo: Nasjonalmuseet for kunst, arkitekturog design, 2014, pp. 62 and 63.


Alexandra Cox, ed., Car Fetish: I Drive Therefore I Am, Museum Tinguely, Basel, and Kehrer Verlag Heidelberg, Berlin, 2011, pp. 72 and 73.


Peio Aguirre, Negar Azimi and Marina Cashda, Vitamin P2: New Perspective in Painting, Phaidon Press Limited, 2011, pp. 156–159.


Tony Godfrey, Painting Today, London: Phaidon Press, 2009.


Geeta Kapoor, ed., When was Modernism, New Delhi: Tulika, 2000, p. 403.


Rosalyn D’Mello, “Here After Here,” Open, January 23, 2017, pp. 58–61.


Meera Menezes, “Jitish Kallat,” ARTFORUM, April 2017, pp. 205–206.


Sridhar, “Contours of Time,” ART India 20, no. 2, April 2016, pp. 50-52.


Shireen Gandhy et al., “50 Icons of Art,” Platform, January / February 2015.


Vandana Kalra, “What is the Moon but a Half-Eaten Roti?” The Sunday Express Magazine, September 6, 2015, p. 4.


Jitish Kallat, “Jitish Kallat,” Almanac, ArtAsiaPacific 10, 2015, pp. 214–215.


Michael Synder, “Artistic Directions,” Architectural Digest, November / December 2015, pp. 154, 156.


Rosalyn D’Mello, “The Shadow of the Wind,” Open, November 9, 2015, pp. 54–56.


Bala Starr, “Growing Grass for Dogs: Curating with Indian Artist Jitish Kallat in Melbourne,” Art Radar Asia,
March 12, 2013.


Mustansir Dalvi, Kaiwan Mehta, “Bringing It All Back Home,” Domus, April 2013, pp. 92–98.


Payal Uttam, “A Corridor of Suspicion,” The Wall Street Journal, July 12–14, 2013, p. W5.


Jitish Kallat, “Jitish Kallat,” International Gallerie Vol 16/ No 1 (excerpt from a conversation), 2013.


Roxana Azimi, “J’aborde L’histoire comme un fragmentde temps et de gestes. Jitish Kallat, Artiste,” Le Quotidien
de l’art
, September 4, 2013.


Eve Jackson, “Jitish Kallat: An Indian Artist’s Meditation on Mumbai,” France 24, Journal de la culture,
September 4, 2013.


Judith Benhamou, “Jitish Kallat: un artise indien captivant à Paris,” Les Echos, Blog de Judith Benhamou-Huet, September 9, 2013.


Valèrie Duponchelle, “Jitish Kallat, méditation sur la voie lactée,” Le Figaro (Figaroscope), September 11, 2013.


Neïla Beyler, “Jitish Kallat, star de l’Art indien,” Les Echoes Tv, September 12, 2013.


Marianne Van Boxelaere, “Jitish Kallat: The Hour of the Day of the Month of the Season,” This is tomorrow, September 16, 2013.


“Jitish Kallat,” Le Point, September 19, 2013.


“Jitish Kallat – Vidéo,” La Libre Belgique (Arts Libre), September 13–19, 2013.


Fabrice Bousteau, “Jitish Kallat entre ordre et chaos,” Beaux Arts, September 2013 pp. 99-103.


“Jitish Kallat À Paris,” L’Officiel Art, September–December 2013.


“Jitish Kallat, L’onirisme au quotidien,” Connaisance des arts, November 2013.


Natalie King, “Jitish Kallat: An Evolving Narrative in 8 Acts,” www.artmonthly.org.au, Summer 2012/2013, p. 20–22.


Abhay Sardesai, “Voices from the Past,” ART India 17, 2012.


Thomas Connors, “Public Notice 3: Visually Religious,” Art Journal, pp. 35–37.


Jitish Kallat, “Public Notice 3, Jitish Kallat,” TAKE on art 1, no. 4, pp. 84–88.


Jackie Wullschlager, “Tate Britain’s New Watercolour Exhibit,” Financial Times, FT.com February 18, 2011, accessed February 18, 2011.


Franck Barthelemy, “Jitish Kallat—The Alchemist,” Art news & views.com, accessed on April 19, 2011.


Shruti Kapur Malhotra, “Return to Sender,” Platform, July/ August 2011, pp. 137–139.


Sophie Ernst, “Public Notice 3: Jitish Kallat,” TAKE on art, Vol 1, Issue 4, 2011.


Brendan Davis, “Interview with Jitish Kallat,” Germany: ART Interview, February 5, 2010.


Sheena Thomas, “Kallat Gets Ready to Decode Art,” Art Smart, September 9, 2010.


Lauren Viera, “Sept 11, 1893, 2001 and Today,” Chicago Tribune, September 9, 2010.


Edward Goldman, “The Three Best Museum Shows for This Thanksgiving Season,” Huffington Post, November 23, 2010, accessed November 23, 2010.


Lise McKean, “Stepping into the Past,” ART India, December 2010, pp. 77–78.


Lise McKean, “Stepping into the Past,” ART India 15, no. 3, 2010.


Daniel Kurjakovic, “ÒThe Layering of Unintended Meanings,” Ó Burger Collection: Research project ‘Quadrilogy’ Theory/Conversations, October 4, 2010.


Sharmistha Ray, “Artistic License,” TAKE on art 1, no. 2, 2010.


Jean Cocteau, “Jitish Kallat: An Exclusive Electronic Interview,” C Arts: Asian Contemporary Arts and Culture,
August 14, 2009.


Birgit Sonna, “Jitish Kallat,” art—Das Kunstmagazin, September 17, 2009, pp. 20–21.


Abhay Sardesai, “Variations on a Theme,” Art India 14, September 3, 2009, pp. 75–76.


Birgit Sonna, “Unverfroren Hintergrundig Spirituell,” art—Das Kunstmagazin, September 2009.


Silvia von Bennigsen, Irene Gludowacz and Susanne van Hagen, “Interview with Jitish Kallat,” Global Art,
Hatje Cantz: 2009, pp. 36–43.


Alan Cruickshank, “Asian Attitudes,” Art & Australia 45, no. 3, March–May 2008.


Nina Miall, Peter Nagy and Patricia Ellis, “In Conversation with ‘21st Century Boy,’” in Universal Recipient, May 2008.


“Jitish Kallat Universal Recipient,” The Art Newspaper, Art Basel Daily Edition, May / June 2008.


Brigitte Ulmer, “Komprimierte Daten aus dem globalen Medienstrom,” Neue Zurcher Zeitung, June 7, 2008.


Pernilla Holmes, “Is Art Having an Indian Summer?” How to Spend, Financial Times, July 14, 2008, pp. 6-9.


Jitish Kallat and Shiladitya Sarkar, “When Thoughts Come with Self-Pasting Adhesive…” Art India 13, no. 3/4, September 2008, pp. 47–48.


Matthew Westwood, “Art Exposes Bones of Human Madness,” The Weekend Australian, October 19, 2008.


Girish Shahane, “Jitish Kallat, Life, Death and the Struggle In Between,” Artist Profile, no. 5, pp. 52–56, October 2008.


Zehra Jumabhoy, “Sweat Memories,” TimeOut Mumbai, September 6, 2007, pp. 18–20.


Beth Citron, “Jitish Kallat: Copyright 2007,” ArtAsiaPacific, no. 55, October 2007, pp. 108–09.


Lily Hibberd, “A Few of Our Favourite Things,” The Artreader Picks, the artreader: Fifth Asia-Pacific Triennial APT5 Companion December 06, Queensland and Brisbane: Artworkers Alliance and the Institute of Modern Art, November 28, 2006, p. 3.


Giugno Luglio, “Focus India,” Flash Art, December 2006, p. 57.


Girish Shahane, “Koffee with Kallat,” TimeOut Mumbai, March 2005.


“War Against Terror,” The Art News Magazine of India 10, no. 1, June 25, 2005, pp. 87–88.


Larry Lee, “Jitish Kallat: The Lie of the Land,” ArtAsiaPacific, Winter 2005, no. 43, pp. 81–82.


Michael Workman, “Jitish Kallat at Walsh Gallery,” Flash Art 37, November–December 2004.


Fred Camper, “War Against Terror,” Art India 10, no. 1, 2004.


Ranjit Hoskote, “Jitish Kallat,” ArtAsiaPacific, Winter 2003, no. 37, pp. 52–54.


Holland Cotter, “First Information Report,” The New York Times, October 18, 2002.


Cabaret Voltaire and Peter Nagy, “An Art of Confusion, First City, February 2000, pp. 86–87.


Holland Cotter, “Jitish Kallat—Private Limited – I,” Art in Review, The New York Times, June 26, 1999, p. 1.


Ranjit Hoskote, “Apprentice Work with Promise,” The Times of India, December 26, 1998 p. 10.


Anupa Mehta, “The Artist as Inventor,” The Art News Magazine of India, December 16, 1997, p. 29.


Girish Shahane, “The Intriguing Image,” Art India 3, p. 2, 1996.


Girish Shahane, “An Uncertain Voyage,” The Art News Magazine of India 5, no. 2, June 30, 1995, pp. 84–85.